Sunday 28 July 2013

Fine Art Flower Portraits


Newly emerged Red Rose
Nikon D4 with Nikkor 105mm F2.8 : ISO 100, F5 @ 1/13sec, Tripod

Spirea on canvas
Nikon D4 with Nikkor 105mm F2.8 : ISO 400, F10 @ 1/20sec, Tripod

Both images are available from Society 6 as prints and mobile phone covers.

They are also available directly from me as mounted and framed prints. Please contact me for details at brettgardner14@gmail.com

Friday 26 July 2013

The Old Chicken Farm



The gate leading to the old chicken farm. Nikon D3s with Nikkor 24-70mm F2.8

On the outskirts of Woodhall Spa in Lincolnshire lies a disused and run down poultry farm. For many years as I grew up, no more than half a mile from the site, I remember seeing lorries coming to and fro, always leaving full to the brim with crates stuffed full with 'objects'. As a kid I never really thought much about what each crate contained as I blissfully played pooh sticks with my mates in the stream which ran adjacent to the farm. It's only now, as I wander around the old buildings, that I have come to realise how many millions of chickens must have been raised in hot, dark and incredibly cramped conditions only to be killed at such a young age simply in the name of mass consumerism. Old buckets litter the floor, switches and plug sockets still hang from the walls as do dozens of large metal hooks, giving a sad glimpse into the dark past these buildings once hid from the public. Only now, years after the farm has shut down for the final time, does it look at peace with its surroundings. Indeed, nature is reclaiming the land, brambles push through the windows and young Birch grow throughout the grounds. The entrance is now completely blocked with large bushes and thousands of nettles, as if to say to any passing container lorry, you will never enter again.

One of the old chicken housing units. Nikon D3s with Nikkor 24-70mm F2.8

The old Ross Poultry site on the outskirts of Woodhall Spa. Nikon D3s with Nikkor 24-70mm F2.8

The sun sets over the run down poultry site on a cold early Spring evening. Fuji X100


One of the many warning signs.    Nikon D3s with Nikkor 24-70mm F2.8


Left: Warning sign.  Right: Not much natural light could enter the chicken buildings. Both, Fuji X100 


Control units are scattered throughout the site. Even the feeder units are automated. Fuji X100


The beautiful little stream running adjacent to the farm. Fuji X100

Wednesday 24 July 2013

Perfect Rose




Nikon D4 with Nikkor 105mm F2.8
ISO 100, 1/40sec @ F6.3
Tripod, cable release and step ladders!

Tuesday 23 July 2013

Portraits with C&G Photography

One of my favourite areas of shooting with C&G Photography is the portrait shoots we do, whether as a stand alone portrait session or as part of a wedding package. I like to spend a few minutes with the bride and close family, giving me the opportunity to capture lovely head and shoulder shots that they will all be able to treasure for many years to come. I have developed my own particular style over the years and am now very happy with the techniques I use. For me it's all about capturing natural expressions, utilising natural light, and shallow depth of field. I make sure these types of close-up portraits are taken after the subject has become at ease with the camera, as I believe this makes a huge difference to the final photograph. I sometimes use a diffuser to soften the light and mainly shoot with my Sigma 50mm F1.4 at an aperture of F2 - F2.8. This gives a very shallow depth of field and helps avoid unwanted distractions in the background. I also like to shoot from slightly above the subject as I feel this creates a slightly more dynamic image. The Nikon D200 is great for these particular types of shot as it gives me slightly more reach than the FX models, and doesn't intimidate the subject quite as much, as I'm not so close.


Nikon D200 with Sigma 50mm F1.4

Nikon D200 with Sigma 50mm F1.4


 For images that include more of the subject, either head and torso or full body, I usually shoot with the Nikon D3s or D4 coupled with the Nikkor 24-70mm F2.8 or Nikkor 70-200mm F2.8. Reflectors and off camera flash are used to add supplementary light where required.  


Nikon D3s with Nikkor 24-70mm F2.8


Nikon D3s with Nikkor 24-70mm F2.8

Sunday 21 July 2013

Friday 19 July 2013

The reference guides by British Wildlife Publishing


Nikon D200 with Nikkor 105mm F2.8 macro
Common Darter - Sympetrum striolatum


I wrote a post last month on one of my favourite areas of photography, close up and macro. I discussed the tips and techniques that I had developed over the years and how I compared my work to that of master macro photographer, Robert Thompson. ( www.robertthompsonphotography.com )


Nikon D200 with Nikkor 105mm F2.8 macro
 Blue Tailed Damselfly - Ischnura elegans


Nikon D200 with Nikkor 105mm F2.8 macro
Common Blue Butterfly - Polyommatus icarus


I want to expand on that previous post a little by writing about the field guides that I always carry in my bag when photographing insects, primarily butterflies, moths and dragonflies. Such guides are vital if the intention of the photographer is to submit images to stock sites or magazines for the purpose of marketing or publication, as they will normally require both the English and Latin names of the subject captured. Fairly straightforward with the more common species, but decidedly more tricky with the less common and rarer types. The books by British Wildlife Publishing ( BWP) are fantastic, covering all resident species of insect, moth and butterfly in Great Britain and Europe, as well as migrants.

The British Wildlife Publishing Titles


They can be a real lifesaver when you aren't quite sure of the exact species you are photographing and need a little help. The reason why I'm particularly fond of the BWP reference books is because not only do they make identification of the subject pretty straightforward, but also the artwork within each title by Richard Lewington is simply exquisite.

Nikon D200 with Nikkor 105mm F2.8 macro
Common Darter - Sympetrum striolatum


Nikon D200 with Nikkor 105mm F2.8 macro
Common Blue Damselfly - Enallagma cyathigerum


Nikon D200 with Nikkor 105mm F2.8 macro
Marbled White Butterfly - Melanargia galathea


Even when not traipsing around the edges of a busy lake or river being eaten alive by the thousands of ferocious horse fly that have targeted me for dinner, I like nothing better than pulling one of these titles from the bookshelf and perusing the pages with my feet up and a nice cup of tea, planning my next faraway photographic adventure or failing that the nearest local pond.        

Nikon D200 with Nikkor 105mm F2.8 macro
 Blue Tailed Damselfly - Ischnura elegans

Nikon D200 with Nikkor 105mm F2.8 macro
Broad Bodied Chaser Dragonfly - Libellula depressa

   
Nikon D200 with Nikkor 105mm F2.8 macro
Migrant Hawker Dragonfly - Aeshna mixta


You can find a link to the BWP website here,

The ISBN numbers for the books above are as follows;




bwp Book



Pocket Guide to the Butterflies of Great Britain and Ireland
Written and illustrated by Richard Lewington
ISBN: 978 0 9531399 1 0

bwp Book






Field Guide to the Dragonflies of Britain and Europe - Paperback
Klaas-Douwe B Dijkstra, illustrated by Richard Lewington
ISBN: 978 0 9531399 4 1


bwp Book





Field Guide to the Moths of Great Britain and Ireland - Paperback (2nd edition)
Paul Waring & Martin Townsend, illustrated by Richard Lewington
ISBN: 978 0 9531399 8 9 (paperback)

Wednesday 17 July 2013

Shortlisted for the British Wildlife Photography Awards 2013


I was delighted to have been informed that my image ' Roughton Moor Woods ' was shortlisted for the prestigious British Wildlife Photography Awards 2013. This image is one that means a great deal to me as I've been the voluntary Reserve Manager for this Lincolnshire Wildlife Trust site since 2001 and have become very fond of it, so to have the photograph recognised on an international level is fantastic.

My duties as Reserve Manager include making sure the paths and walkways are clear from debris and that any litter is cleared away. I also have to record the flora and fauna of the wood and send in an annual report to the Trust where they can monitor any changes that may have occurred over the year and act accordingly.

The wood is very quiet most of the time and is a lovely place to be if you want a bit of solitude. During the summer months the light can be a bit harsh, and taking a decent photograph can be a challenge. The best time to take a lovely image is during the darker months when days grow shorter and the leaves start to change colour. The light is a lot softer at this time of year and it can scatter in a multitude of directions as the sun's rays hit a thousand and one branches and the tangles of hawthorn and bramble. This particular image was taken during the morning of a cold and frosty December's day, and I knew the conditions were just right. No wind, plenty of mist and a low piercing sun trying to puncture through the gloom. I set up the camera and tripod after carefully considering the composition, and using a trigger release took the image you see here. I have just been informed that it has finished within the top 300 of all images submitted during the 2013 competition and just missed out on making it in to the annual book and national photographic tour. Out of a total of 25,000 images entered, I'm really rather chuffed.

Roughton Moor Wood - Nikon D3s with Nikkor 24-70mm F2.8
Roughton Moor Wood - Nikon D3s with Nikkor 24-70mm F2.8  

Thank you very much for spending the time to look at my blog. I'm passionate about all things camera related and would greatly appreciate it if you took the time to look at some of the ads on my page. They're related to the stuff I blog about and you may find some great deals. I use a number of companies which advertise on my site when purchasing gear, and find them all to be fantastic, reliable with quick delivery.

Tuesday 16 July 2013

Always keep the camera handy.

I'm now in the habit of carrying my camera with me wherever I go. This used to be a bit of a pain when it happened to be a Nikon D3s / Nikon D4 with Nikkor 24/70mm F2.8, but since buying a tiny Fuji X100 I don't even think twice. Pop it in my rucksack and away I go.




This image was only possible because I happened to have the Fuji in the car with me one cool Spring afternoon. I spotted this old ramshackled barn as I was driving home from Lincoln and although the light was quite flat, the sun's rays streaming through a break in the heavy overcast sky added some much needed drama, increasing the vibrancy of the yellow flowers from the brassica napus crop. While not a serious 'set up' shot, it's one I'm very fond of as it forever reminds me of the beautiful rural landscapes of  my home County Lincolnshire.

Monday 15 July 2013

The Demise of RAF Nocton Hall in Lincolnshire, England


Nocton Hall as it is in 2013...

and as it was circa 1950's - Unknown photographer



In 1995 RAF Nocton hospital closed its doors for the very last time and fell into a state of disrepair, plagued by looters and vandals.  Considered by English Heritage to be a grade two listed property, how has this happened, and what is the history behind this once thriving hospital and its community?



Down in the basement

To the bunker

The peaceful view


The origins of the hospital can be traced back to the early 20th century.  In 1917, Nocton estate, owned by Mr Hodgson, allowed the hall to be utilised as a convalescent home for American Officers wounded in action during the First World War. In 1919 the estate, along with the hall, was sold and the Hall ceased to be used to treat servicemen. It wasn't until 1940 and a further change of hands, that the estate became a hospital once again. With the advent of the Second World War and only one military hospital in Lincolnshire, it was deemed necessary to find a suitable site for a second such building as Lincolnshire’s bomber bases expanded. The Air Ministry acquired the Hall and 200 acres of the estate at this time, but up until 1947 it was leased to the Americans and used as an army clearing station. Their army medical branch built a complex to the East of the hall, whilst the hall itself, became an officers’ club. After the Second World War, the Americans left once again, and it was decided that this was to be the RAF’s permanent military hospital in Lincolnshire. The hospital was expanded and the hall used as female living quarters. By 1954 the hospital provided fully staffed medical facilities, not only for servicemen and women, but also the local community. It was also a major source of employment for local people.


This way


Between 1957 and 1966 a maternity ward and two operating theatres had been built alongside a central sterile supply department and a neuro-psychiatric centre.  The last Royal to visit the grounds was Princess Alexandra in 1969, some 468 years after the first royal visit to the estate, when Katherine Howard, the fifth wife of Henry VIII, visited in October 1541.  It was on this visit that she planted a Chestnut tree, which can be seen to this day.


The Chestnut tree that was supposedly planted by Katherine Howard in 1541


Over the years, with the endeavours of the local people and servicemen, RAF Nocton had become one of England’s foremost military hospitals.  It was with great sadness to all that in 1983 a decision was taken to close the Hospital and its facilities. This had a major impact on the small local community, many of whom had been employed there.  That wasn’t the end of the story though, as in 1984 the Hospital was once again leased to the Americans, this time as a USAF wartime contingency hospital.  During the first Gulf War in 1991, over 1300 American medical servicemen and women were based at Nocton to treat potential casualties, but fortunately only 35 personnel were sent there for treatment during this time.


Window to the past

The Gym


The long corridor to the surgery


After the Gulf War, a skeleton staff of 13 was kept on to look after the hospital and grounds until they too departed.  For a brief period after this, the hospital returned to the RAF who used it as a forward outpatient department between 1992 and 1993.


Final resting place



It was finally handed back to the British Government in 1995 and subsequently bought by a private owner who turned some of the buildings and grounds into a residential care home until its eventual demise.  The remains of the Hospital and Hall that can be seen today are a sad reminder of what once was a thriving state of the art medical facility and a source of employment to a bustling local community.  Many people remember the Hospital fondly, either as a patient, or as someone who worked there.  In the last few years looting and vandalism have taken their toll.  In October 2004, the Hall was set on fire, some 70 fire fighters attended, bringing the fire under control, but unfortunately the roof collapsed, and only the shell remains.  There has been recent interest from certain conservation bodies concerning possible restoration projects.


One of the many outbuildings

Corridor to nowhere


Doctor's consultation room 


English Heritage has placed it on the UK 'Buildings At Risk' register and are seeking help to secure and preserve what is left of the old Hall and restore the gardens to their former glory. Whatever the final outcome for this magnificent Hall and grounds, there is a certain sadness when exploring the old Hospital corridors. A place once full of life and day to day dramas has now gone, replaced with decaying empty rooms and wards, a place devoid of life; a once busy little village, now just a sleepy little hamlet. Perhaps the buildings should be left as they are.  There is a certain beauty in seeing nature reclaim what is rightfully its own.



The shoe


As the playwright Henry Miller said ‘I have always looked upon decay as being just as wonderful and rich an expression of life as growth’.

Saturday 13 July 2013

Kids will be kids

The weather has been fantastic for several days now and it's the first time in quite a few years that I feel we could be having a decent summer, goodness knows we need one. Insects have struggled, crops have failed and ice cream sales have been poor, but in the last couple of weeks all that appears to have changed. Normally burst water pipes would cause a bit of a panic, but not this particular beautiful Saturday afternoon. When the weather is this fine they make fantastic impromptu showers.

Fuji X100 

Fuji X100
 

Thursday 11 July 2013

Little Italy

Wandering along the ancient cobbled streets of uphill Lincoln, taking in the peaceful atmosphere and beautifully weathered and ancient architecture, not to mention the odd ale or two, you can't help but notice dozens of Lambretta and Vespa scooters parked along the many lanes and backstreets. Pretty much every corner you turn, there is yet another pretty little bike to greet you. Photographing these vehicles in such fantastic surroundings can be great fun, and the resulting images can easily be transformed into fine art prints that can be offered for sale through galleries, or online.

Pretty much any camera will do for this sort of street photography, although the more discreet the model the better. The main problem that I've encountered when photographing the bikes can be the frequency with which people inadvertently step into shot on such crowded narrow streets. Patience is key in these situations and eventually you'll be rewarded with a cracking image of a multi coloured scooter decked in Union flags or a multitude of lights and mirrors.

Submitting these photographs to stock libraries can also bring financial benefit. Banks, building societies and insurance companies are always on the lookout for this type of image. My third picture in this post has so far made over $900, and has been sold to the banking and insurance sector for use in promotional brochures and leaflets.  


Nikon D3s with Nikkor 105mm F2.8

Nikon D3s with Nikkor 24-70mm F2.8

Nikon D90 with Nikkor 18-70mm F3.5/F4.5 - photograph by Emma Stickley, edited by Brett Gardner